The Mendel Potash-Corp School Hands-on Tours 2014-15 poster features a Vic Cicansky sculpture.
Watch a time lapse video of Karen Tam’s installation process for 鸕鶿飛 (Flying Cormorant Studio [For Lee Nam]). This video represents seven days compressed into two minutes. Tam’s installation is on view until September 14, 2014, part of Convoluted Beauty: In the Company of Emily Carr.
Karen Tam is a Canadian artist whose research focuses on the various forms of constructions and imaginations of seemingly opposing cultures and communities, expressed through installations in which she recreates spaces such as the Chinese restaurant, karaoke lounge, opium den, and other sites of cultural encounters. For Convoluted Beauty, Tam considers notions of cultural, political, and social exile in her imaginative reconstruction of the studio of Chinese Canadian artist Lee Nam, a friend of Emily Carr.
Saturday, September 13 at 1 p.m.
The program connects two concurrent exhibitions, Sympathetic Magic, curated by Troy Gronsdahl, and Convoluted Beauty: In the Company of Emily Carr, curated by Lisa Baldissera. The curators will introduce the exhibitions followed by presentations from exhibiting artists Marianne Nicolson and Raymond Boisjoly.
Raymond Boisjoly (born in Langley, British Columbia, 1981) is an artist of Haida and Québécois descent, living and working in Vancouver. He completed his undergraduate studies at Emily Carr University of Art and Design and holds an MFA from University of British Columbia. Boisjoly’s practice engages with issues of aboriginality, language as cultural practice, and the experiential aspects of materiality. He has presented work in solo and group exhibitions in Canada and the United States including exhibitions at Simon Fraser University, Catriona Jeffries Gallery, and The Contemporary Art Gallery, all in Vancouver; The Power Plant, Toronto; Carleton University Art Gallery, Ottawa; Platform centre for photographic and digital arts, Winnipeg; and Western Bridge, Seattle. Boisjoly is participating in SITE Santa Fe, and La Biennale de Montréal. This fall, Boisjoly will serve as Lead Faculty for “In Kind” Negotiations, a thematic residency at the Banff Centre.
Marianne Nicolson (‘Tayagila’ogwa) (born in Comox, British Columbia, 1969) is an artist of Scottish and Dzwada’enuxw First Nations descent. The Dzwada’enuxw people are a member tribe of the Kwakwaka’wakw Nation of the Pacific Northwest Coast. Nicolson’s artistic training encompasses traditional Kwakwaka’wakw forms and culture as well as Western European-based art practices. Her work engages with issues of Aboriginal histories, politics, and language, arising from a passionate involvement in cultural revitalization and sustainability. Nicolson completed a BFA from Emily Carr University of Art and Design, Vancouver, in 1996, followed by studies at the University of Victoria, British Columbia, where she received an MFA (1999), a Master’s in Linguistics and Anthropology (2005), and a PhD in Linguistics, Anthropology, and History (2013). Nicolson has exhibited paintings, photographs, and installation works locally, nationally, and internationally. Recent exhibitions include the 17th Biennale of Sydney (2010) and the nationally touring group exhibition Beat Nation, organized by the Vancouver Art Gallery (2012). Her solo shows and installations include The Return of Abundance (Art Gallery of Greater Victoria, 2007) and The House of Ghosts (Vancouver Art Gallery, 2008).
Celebrate the launch of
Mendel Youth Council’s blog with
…that’s Bring Your Own T-shirt.
You will have the chance to silkscreen your shirt with a design provided by MYC artists.
All supplies — other than T-shirts — will be provided.
Saturday, May 3, 2-4 p.m. FREE
at the Mendel Art Gallery
950 Spadina Cres E, Saskatoon
Check out the MYC BLOG at www.mendelyouthcouncil.ca
In this episode we hear from Sandra Fraser, co-curator of the major retrospective David Thauberger: Road Trips & Other Diversions. We speak with David Thauberger about the development of his practice that spans four decades and hear from Laura Kinzel about the perennial favourite, School Art. Joi Arcand also reflects on her work in the RBC Artists by Artists mentorship exhibition. Music has been provided by Little Criminals.
Credits (songs in order of appearance)
Nice Windbreaker, Grandma
Popeye & Olive Oil Dancing
In this episode we speak with Rhiannon Vogl, curator of the landmark group show Contemporary Drawings from the National Gallery of Canada. We hear from artist Trace Nelson about her playful solo exhibition and we preview the RBC Artists by Artists mentorship exhibition, by June J Jacobs and Gwen Klypak. Music has been provided by Minor Matter.